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The beginning career of jazz music legend Art Blakey was amazing. He took piano lessons at school. When he was in the seventh grade he played music full-time and was leading a popular band. Not too long after, he started playing drums in the style of such players as Ray Bauduc, Chick Webb and Sid Catlett. He taught himself how to play.
He played with Mary Lou Williams at Kelly’s Stable in 1942. Next, with Fletcher Henderson for the next two years, and he toured with. Art then went to Boston to lead a big band, then joined Billy Eckstine’s band in St. Louis. Art stayed with that band from 1944-1947.

Art was considered to be among jazz music’s finest musicians such as Fats Navarro, Miles Davis and Dexter Gordon. In 1947 when Eckstine’s band broke up, Art started the Seventeen Messengers. He would go on to have several other groups with this same name. He then went to Africa to learn all about Islamic people for over a year. By the 1950′s he performed with Clifford Brown, Miles Davis, Charlie Parker and Horace Silver.

After they performed together many times, he started another group with Horace which included Kenny Dorham, Hank Mobley with the name Jazz Messengers. Horace left a year later. He was the known leader of the band. The Jazz Messengers played hard-bop jazz music. The roots of which were blues music. Hard bop is a mixture of bebop with gospel and soul music. An example of this is his album Moanin’ recorded on Blue Note Records in 1958. They fought hard to keep black people interested in jazz, when the ballroom jazz music disappeared. Many young musicians during the years have been influenced by this style. Jazz musicians such as Keith Jarrett, JoAnne Brackcen, Woody Shaw , Donald Byrd, Delfeayo, Branford and Wynton Marsalis.

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In 1971 to 1972, Art world toured with the biggest names in jazz music such as Kai Winding, Dizzy Gillespie and Thelonious Monk. He also performed a lot at the Newport Jazz Festival. The best performance was when he was in a battling performance with Buddy Rich, Max Roach and Elvin Jones in 1974. Art continued to tour nonstop with help from Donald Harrison and Terence Blanchard, along with younger musicians such as Benny Green.

Art never thought of his music as similar to African style, although he did use some of their techniques such as using his elbow on the tom-tom to alter pitch. His trademark, the forced closing of the hi-hat on each second and fourth beat was created in 1950-1951, which many jazz musicians copied.

A major jazz musician and innovative in his drum style, he was unique and performed with power. The way he played was loud and aggressive. The jazz critics basically ignored what he did in the 1960′s. American audiences left him behind in the 1970′s when rock music took over the scene.

He always made time for young jazz musicians, listening to them, and helping them with their jazz music careers.

I hope that reading the above information was both enjoyable and educational for you. Your learning process should be ongoing–the more you understand about any subject, the more you will be able to share with others.

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Jazz music composition is the work of knowledgeable musicians with the skills to write, and create one of the most memorable masterpieces. Moreover, Jazz music Composition is a course included in colleges and universities who deem it a worthy subject to study. Composing Jazz music requires the theory of constructing chords that are altered or substitute that would fit within the guidelines of composition.

Meaning, experimentation is fine as long as you know how to fit in the musical shocks in the piece in a manner to not disrupt the flow. It is mandatory to keep the essence of Jazz music a part of you when creating, and keep all thoughts to restrict creativity out of your mind. The aim of Jazz music composition is to create what you feel about any subject into the sound of your musical work. To find your way into the making of Jazz music composition you should learn the skills of basic theory in ear training, notes on various instruments, key signatures, scales, chords, intervals, counterpoint, harmony, melody, music terminology, clefs, meters and time signatures, transposing of various instruments, and music reading.

Listening to Jazz music from various artists will give you a feel for the type of composition you would like to create. You can begin with music arranging which is recreating an old song with new ideas. For instance, it has been done many times by professional musicians to use a public domain song, or ask permission to use a certain song. One example is Chaka Khan’s ” The End Of A Love Affair” written for Billie Holiday by Edward C. Redding in an arrangement that fit Chaka Khan.

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There are many versions of Jazz standards such as “They Can’t Take That Away From Me” , “Misty”, and “Stormy Weather” by different people who wanted to either keep the basic structure or interpret the song in their own special way. The basic rules to composing a Jazz Composition is to make a theme and arrange the music around it.

Meaning, as in basic songwriting structure you will need a beginning, middle, bridge, and ending. The order is always up to the person(s )creating the music. You can begin with the themes most common in notated Jazz and Blues sheet music or fake book forms. In addition, use the basic theory structure you find on sheet music as a format, but use your own ideas. In arranging, you can examine the basic format, and embellish on areas you think needs it. The direction one can go in music arrangement is infinite according to the history of how each style of jazz music was created.

When creating Jazz music composition one must remember the essential element present in all true Jazz music which is improvisation. Jazz Improvisation is not notated in any shape, way, or form. In fact, the improvisation in Jazz composition is invented by pure emotion of the musician moved by the accompaniment. Improvisation in Jazz composition can be in the beginning, the bridge and also at the end of the piece. Most commonly there is embellishment in the middle of the piece, but it all depends on the mood of the creator of the music.

Once you learn the theory behind Jazz music composition, you can learn the shortcuts on creating. For example, lead sheets usually have the Jazz chord symbol above the melody below it as a basic structure to follow. When all is said and done, you will have created your own masterpiece as a gift to the world from your heart.

You can’t predict when knowing something extra about Jazz Music will come in handy. If you learned anything new about Jazz Music in this article, you should file the article where you can find it again.

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If you’re seriously interested in knowing about Jazz Music, you need to think beyond the basics. This informative article takes a closer look at things you need to know about Jazz Music.

Anyone who loves jazz music must know about the amazing vocal group The Manhattan Transfer. What some may not know is that the Manhattan Transfer comes from the Name of Two different groups. The first group made one album, then broke up in 1969, the other group is the one, which is the basis for this article. They began in 1972 and still sing today. The Manhattan Transfer does an exquisite job of blending jazz music, popular music and big band together.

The members of the group are: Alan Paul, Janis Siegel, Laurel Masse and Tim Hauser. Their first album entitled, The Manhattan Transfer brought them a hit single, a gospel song called “Operator”. In 1971 an album was made with only one of the members, Tim Hauser. The album Jukin’ was really considered to be released by a different group. This vocal group did a spectacular job performing in Europe.

The next two albums, Pastiche and Coming Out had a number of top ten hit singles. “Chanson D’Amour” went to number one in the United Kingdom in 1977, but didn’t make the charts in the U.S. After that, the group released The Manhattan Transfer Live Album recorded in the United Kingdom. After that, Laurel was terribly injured in a car accident and Cheryl Bentyne took her place. The group has been the same ever since. They went on to make another hit in the U.S. with “Twilight Zone/Twilight Zone” from the album Extensions. This same album gave The Manhattan Transfer their most recognized sound. “Birdland” written by Jon Hendricks gave them their first Grammy award for the Best Jazz Fusion Performance, Vocal or Instrumental. They also an award for best arrangement for voices.

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The group broke their record in 1981 by winning a Grammy in a pop and jazz category that year. Jazz music was taking a new and enjoyable turn. “Boy From New York City” made it into the top ten, and won Best Pop Performance by a Duo or Group with Vocal. “Until I Met You (Corner Pocket)” was for Best Jazz Performance Duo or group. Both singles were on their fifth album Mecca for Modems.

By the time their album Bodies and Souls was released in 1983, they took a new turn in jazz music again, their songs becoming more contemporary and urban. “Mystery”, “Spice of Life” were hit singles. “Mystery” is one of the best Manhattan Transfer songs. Anita Baker covered it on her Rapture album. With their next album Vocalese, they were going for complexities and were very successful. That album got not one, but 12 Grammy nominations. It was number two to Michael Jackson’s Thriller album. They won for two Grammys. One for Best Jazz Vocal Performance, Duo or Group and Best Arrangement for Voices.

Lately, the group has released An Acapella Christmas in Japan, 2005. Last year they have released The Symphony Sessions, which is a greatest hits collection. The songs were re-done for pop orchestras and symphonies. Late last year, they released a DVD called The Christmas Concert, which was on the PBS network. The Manhattan Transfer also did an original song for a film, called “Trail of the Screaming Forehead”.

The Manhattan Transfer has really changed and expanded the style of jazz music. Each of the members has appeared on other artist’s albums as guest. To date they have recorded twenty-four albums, and each have done solo albums. Janis’s solo career being the most popular.

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By Anders Eriksson, feel free to visit his new GVO affiliate site: GVO

When you’re learning about something new, it’s easy to feel overwhelmed by the sheer amount of relevant information available. This informative article should help you focus on the central points.

Jazz music has evolved to the point where basic signature of the style has minimized into an influential element. For example, the Jazz music of the 80′s electronica music of IDM which stand for Intelligent Dance Music where such artists like Bjourk is known for. The drum and bass is another form of electronica that does not use the typical improvisation that is one of the key elements of Jazz music. In fact, this is not thought of as Jazz music at all, but a style that was influenced by Jazz music.

Musicians of the electronica age were St. Germain, Jazzanova, Portishead, Apex Twin and more who used live Jazz music to beats. The Cinematic Orchestra and Julien Lourau from Europe’s France were very successful with this style of music. However, those musicians who master keeping the traditional Jazz music combined with new elements are the most loyal to the style from which it came. In the millennium, Jazz elements became a part of the American Pop scene with the artist Norah Jones, and Christina Aguilera, Amy Winehouse.

There are skeptics who do not believe the music should be called Jazz. However, Christina Aguilera’s Back To Basics album used Jazz brass instruments with urban beats. Jazz music according to the National Public Radio filed a report stating that the music is becoming more popular with the public regarding the interest of the buyers of jazz music.

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Rhythm and Blues music is a product of Jazz music that describes funk and soul. The musicians who successfully made their mark with this sound of jazz, boogie-woogie gospel, bebop and blues reinvented R&B into contemporary styles. Artist such as Robert Palmers, Jerry Lee Lewis, Fats Domino, Prince, Michael Jackson, Whitney Houston, Janet Jackson, Keith Sweat, Mariah Carey, En Vogue, Guy, Jodeci, Mary J. Blige, Levert, Teddy Riley, Justin Timberlake, Aaliyah, Missy Elliot, Lauren Hill, Brian McKnight, Jimmy Jam and Terry Lewis are a few of the many people who’ve made this music popular. Later on Pop artist like Pink, Britney Spears and Gwen Stephani used R&B musical elements in their songs. The wheel of the evolvement of Jazz music keeps turning into new styles, yet turns back at different times toward the root where it began.

Those who were in favor of the traditional Jazz music feared that the essence of Jazz music would be lost among all the new innovations. Free thinking in the world of Jazz caused a division between the modernist and traditionalist. The world of Jazz music has changed to the point where Jazz once the leader turned into an element included in today’s works of art. Nevertheless, nothing in the traditional Jazz music has changed, but the radios have extended their repertoire to include all the styles of music with jazz elements.

The array of Jazz music is present in the Jazz fests who played music with African elements that did not sound like Jazz music. One thing we all should look out for is the musical elements in Jazz that stand out such as the complex rhythm, and the chromatic chordal harmony or chord progressions typical for the Jazz Music.

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The New York Voices are a vocal jazz group that have learned from other vocal jazz groups such as Take 6, The Manhattan Transfer, Lionel Hampton and have taken jazz music to higher levels which have earned them Grammy Awards. Their sound is definite jazz sound with classical, pop, Brazilian and R&B immersed in.

In 1987, Peter Eldridge, Darmon Meader, Kim Nazarian, Caprice Fox and Sara Krieger formed the group. Darmon, Peter, Caprice and Kim went to Ithaca College, in upstate New York. They were able to go and tour the European jazz festivals in 1986. In 1989 they were signed to GRP Records and their first album New York Voices was released. In no time at all it seemed they became popular in the jazz music world. Four albums were done with GRP.

The Collection, Hearts of Fire and What’s Inside. During this time, some changes were made. Sara left, and they auditioned more than sixty vocalists in the United States before they settled on Lauren Kinhan. When she sang with them, the chemistry was real and she fit in perfectly. Thus, they called themselves the “New” New York Voices. Lauren appears on the third recording. In 1994, Caprice left , and the New York Voices was at the point the same as it is presently.

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The New York Voices, has recorded their own albums, guest starred on other albums, and many other performances. Some of those performances are Live at Manchester Craftsmen’s Guild, Brazilian Dreams, a Latin Grammy Award winner with Paquito d’ Rivera and Heirs of Jobim. They have also performed with many famous jazz artists such as Annie Ross, Bobby McFerrin, Nancy Wilson, John Hendricks and Diana Krall. They tried something new in 1997, by singing Paul Simon’s songs. It was called New York Voices Sing the Songs of Paul Simon.

They used many styles to sing his music. Near the end of 2000, after they have completed their sixth album, Sing , Sing, Sing, they took on big band music. They had performed with the Count Basie Orchestra for years, so Darmon arranged the band and vocal parts and Elliot Scheiner who has produced The Manhattan Transfer and Steely Dan, produced a great recording. Other arrangers on the recording were Rob Mounsey and Michael Abene. The result was something complex, with swing, and vocal parts intermingled that was contemporary as well as classic. They did it in a way that did not lessen either style.

In 2006 their was a new recording where they go back to their Brazilian style. The New York Voices have been all around the world astounding audiences with their amazing vocal style, arrangements and classy selections. They have been at numerous jazz festivals, The North Sea Jazz Festival in Holland and The Montreal Jazz Festival.

The New York Voices also helps high school and college students doing workshops and clinics. They have many projects teaching, writing, solo gigs as well as arranging. They are forever expanding their fan base by experimenting with all types of music.

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Lena Horne is one of the most popular African-American jazz legend singers. She was born in 1917 Lena Mary Calhoun Horne in New York City. She performed with the greatest jazz musicians such as Duke Ellington and Artie Shaw. She lives in New York City today and does not appear in the public eye anymore. Lena is most famous for the movie Stormy Weather, in which she sung the title song, in the 1940′s. Contrary to how music careers usually begin, Lena grew up in an elite family. She lived in a black bourgeois area in Brooklyn, New York.

Her father Edwin Horne left them when she was three-years-old. Her mother Edna Scottron, daughter of an inventor, was an actress with a black theater group and traveled a lot. Lena’s grandparents raised her. Though, she was said to have been a part of the Black elite, racial discrimination still existed. Lena Horne and her friend Paul Robeson embarked on a lifelong effort to fight for Civil Rights.

In fact, she took the civil rights movement so seriously to the point of rejecting the offer to perform to a segregated audience or to an audience where the black people were there only to serve white people. Lena Horne was apart of the March on Washington just for the purpose of receiving well-deserved treatment equal to the privileged white people. In addition, Lena Horne committed herself to speaking along with performing for the NAACP, National Council For Negro Women and to assist former first lady Eleanor Roosevelt in passing the anti-lynching law in America’s Congress.

Even with all those serious concerns she still found time to become one of the most memorable Jazz singers in history. She performed at the café society, a club imitating the European cabarets to show the talent of undiscovered African American which led to the success of Lena Horne, Paul Robeson, Big Joe Turner, Ella Fitzgerald, Lester Young, Hazel Scott, Sarah Vaughn, Josh White, Pete Johnson and Mary Lou Williams.

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From 1947 to 1971 Lena Horne remarried again to a Jewish man Lennie Hayton a musical conductor and arranger for MGM studios later to admit in her autobiography titled “Lena” by author Richard Schickel that she married him to help her career. Nevertheless, the interracial couple as always had to face pressures same race couples do not, but she stayed with him until he passed away. Lena Horne was in several Broadway musicals, and won a 1958 award for her performance in the calypso titled “Jamaica”. Lena Horne won a Tony Award For her one woman show titled “Lena Horne: The Lady and Her Music”.

In her success, she has to her credit one of the longest solo performances in history to run more than the usual record time. Lena Horne in great modesty did not accept a lot of musical projects, yet agreed upon a recording with Frank Sinatra and Quincy Jones as producer which did not happen. However, Lena Horne worked on a solo recording that featured duets with Sammy Davis, and Joe Williams titled “The Men In My Life” in the year 1988. The next year she won a Grammy Life Time Achievement Award to add to her list of credits of success she mastered in her career. In her eighties she continued to record albums titled 1994 “We’ll Be Together Again”, 1995 Live album that won her a Grammy for the Best Vocal Jazz Album. 1998″Being Myself”. Finally, she had the chance to sing on an album with Frank Sinatra to the song “Embraceable You”.

In 2000 she recorded another album to lend her voice to a “Classic Ellington” recording. Lena Horne is a member of the sorority Delta Sigma Theta and has been on the label Blue Note Records since 1995.

In 2005 ,Oprah Winfrey stated that she may to ask singer/musician Alicia Keys to play the part of Lena Horne in a movie.

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By Anders Eriksson, who just launched this great product..
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The essence of the appeal of Jazz music has expanded and became reinvented from the use of elements found in African drumming, spiritual and hymn music, bluegrass hillbilly music, blues, impressionist, and classical traits to newer sounds. Jazz music became popular from radio and underground clubs that influenced other parts of the world. For instance, Europe’s French Jazz scene created Gypsy Jazz and South America’s Brazilian and Afro-Cuban Jazz sounds. Not only did make it’s mark on the world, but it also found its way back to its roots through urban contemporary gospel music of percussion as well as brass instruments.

Today the contemporary gospel music uses guitars, keyboard, piano, drums and brass instruments for their sound. One can usually tell during the ballads how Jazz chord harmonies are used in the keyboard and piano. The harmony in Barbershop music like Jazz came from the African American Black gospel church community which use close four part harmony without accompaniment. This particular style of music without accompaniment is known as A capella. The Mills Brothers were popular Jazz musicians who learned how this harmonization in the barbershop owned by their father.

In many Jazz groups such as Manhattan Transfer, New York Voices, Acoustix, Bara Vox, Beach Front, BR6 and more the harmonies are similar to that of barbershop. These harmonies are from the chromatic chordal harmony found in Jazz Music. The group Take 6 has expanded the traditional four part harmonies to six tones. Jazz Music did not stop there , but grew into an array of different styles that produce different aesthetic appeal.

The aesthetic appeal can be found in how each part of the music makes one feel once heard. All the different elements from the lyrical content to the kaleidoscope of colorful harmony to the depth of the mood provides its own ambiance of sound. To give examples:

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On the extent to which Jazz has expanded are listed below as new expressions to the music.

Vocalese – From 1952 to 1962 Eddie Jefferson and Jon Hendricks made their mark by using their vocals as a substitute for the music instrument in the exact melody. Meaning, the voice imitated the exact solo of a saxophonist solo. It was not wide accepted until the musicians above made it popular.

Cool Jazz- From the latter 1940′s and 1950′s a softer more gentle style of Jazz of both bop and swing with arranged harmonies that are present in Jazz ballads today.

Hard Bop-From the middle of 1950′s the church’s spiritual and gospel roots of African style returned to the Jazz music which assisted in the making of Rhythm and Blues. One example of this music is Davis’ work titled “Walkin”.

Mainstream- From the 1950′s era, Jazz improvisation changed from single line melodic ornamentation to chordal which appeared again as a loose form of Jazz music in the later part of the 1970′s and 1980′s. This style was influenced by the cool, classical, and hard bop Jazz styles.

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Have you ever wondered what exactly is up with Jazz Music? This informative report can give you an insight into everything you’ve ever wanted to know about Jazz Music.

Jazz music is appreciated worldwide. If you are ever traveling and are new to some countries, here are where some of the best jazz clubs are located so that every place you go will be just like home.

Canadian Jazz Clubs

In Westminster, you can go to the Java Jazz Café & Bistro. Live jazz is played served with Filipino cooking, with dishes like kare-kare, milkfish and bangus. Every night there are different artists playing. Times are from Tuesday-Thursday from 12p.m. to 2:30p.m. and 5:30 to 12:00a.m. Friday it’s to 1:00a.m., Saturday 3 p.m. to 1 a.m. and Sunday 5:30 p.m. to midnight. If you want to attend jam sessions, they are each Saturday 3p.m. to 6p.m.

If you are ever in Victoria, go to the Hermann’s Jazz Club on 753 View Street. This club has been around for 25 years. You can enjoy good food and international jazz music from the hottest musicians around.

In Vancouver, you can go to Capones Restaurant & Live Jazz Club. Jazz music is played there every night of the week. The food is excellent food and wine. Some of the dishes are pizzas, pastas, tapas and there are also some signature entrees. The musicians that play here are literally chosen to play there from the area and offer great west coast jazz music and blues. You have to call and book in advance to get a table here.

Cuban Jazz Clubs

Truthfully, the only difference between you and Jazz Music experts is time. If you’ll invest a little more time in reading, you’ll be that much nearer to expert status when it comes to Jazz Music.

If you are heading to Havana, be sure to stop at La Zorra Y La Cueva Jazz Club. Open every day, you can eat, drink, dance and enjoy the best jazz music as only the best of musicians play here. Dress tropical for this club.

Chinese Jazz Clubs

In Bejing, you can go to The Big Easy. Modern jazz music and blues is played there. Ted’s Café plays traditional jazz on Saturday nights. In Shanghai you can go to the CJW. The CJW is the Cigar Jazz Wine House. It is on the highest floor of the fifty-story Bund Centre. The atmosphere is very modern, eccentric with lava lamps, transparent beaded curtains. The food is traditional western and Chinese fusion.

Israeli Jazz Clubs

In Binyamina, you can go to the milestone. The Milestone is set in a beautiful park inside a Roman fortress. The times are from weekends Thursday to Saturday. The jazz music is played by the best Israeli jazz musicians. Gourmet food is served, and there is also an amphitheatre. If you are in Haifa, go to the Hottentot. Performances are just about every single day. The atmosphere is laid-back, there’s good food, drinks and a gallery.

French Jazz Clubs

I had to save the best clubs for last. French jazz clubs. The French are serious when it comes to jazz music. All kinds of jazz music is played from standard to amateur. There are many, many jazz clubs here. Quite a few American jazz musicians chose to live there permanently or temporarily and have enhanced their lives all around. Here is a couple of the best jazz clubs in France. In Paris 4th, there is Franc Pinot. Those that love swing and bebop music should come here. This club has natural acoustics, and is located in the heart of Paris. Times are from 7p.m. to 9p.m., but it depends on who is playing for the night. In the 15th, there is Jazz Club Lionel Hampton where the best bands and artists play contemporary jazz. If you want to enrich your spirit, go travel to other places to appreciate jazz music.

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In today’s world, it seems that almost any topic is open for debate. While I was gathering facts for this article, I was quite surprised to find some of the issues I thought were settled are actually still being openly discussed.

Diana Krall is an accomplished singer, and jazz pianist. Diana was born in British Columbia Canada in 1964. She learned to play piano when she was just four-years-old. Everyone is her family are musicians. When she was in high school she played in a jazz group, and at just fifteen played in many restaurants in Nanaimo. She won a scholarship from Vancouver International Jazz Festival at 17 years old to go to Berklee College of Music. She stayed for one and a half years.

When she played in Nanaimo, Ray Brown, a famous bass player and ex-husband of Ella Fitzgerald told her to move to Los Angeles, California and improve her talents with Jimmy Rowles, a pianist. She did, and began to sing with him. This move led her to into a circle of producers and teachers who could further her career. In 1990 she went to New York and married the British musician Elvis Costello, on musician Elton John’s estate in 2003. Diana and Elvis had twins Dexter Henry Lorcan and Frank Harlan James in 2006.

Listening to her fathers huge jazz music albums is what helped Diana be the musician she is today. She lost her mother to multiple myeloma in 2002, and her mentors Ray Brown and Rosemary Clooney in just a few short months of each other. Her younger sister is a strong supporter of her jazz music career.

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Her first album came out in 1993, called Stepping Out. John Clayton and Jeff Hamilton were part of that record. Tommy LiPuma heard it and produced her next album Only Trust Your Heart in 1995. Her next album was called All For You: A Dedication to the Nat King Cole Trio, in 1996. That was nominated for a Grammy award and was on the jazz charts in Billboard magazine for seventy weeks. In 1997 Love Scenes was a hit record with Russell Malone on guitar, and Christian McBride on bass guitar.

In 2000, Diana went on a tour with Tony Bennett and was nominated for more Grammy awards. The Look of Love album went platinum, the following year. It went to number one on the Canadian charts, and on the Billboard 200, top ten. In 2001 Diana toured the world. The Paris Olympia concert was recorded, and Diana Krall-Live in Paris was released and went to the top of Billboard jazz charts, number 5 in Canada and the top 20 of Billboard 200. On the recording was a cover of Billy Joel’s “Just The Way You Are” and “A Case Of You” by Joni Mitchell.

Diana also wrote with her husband after they were married, and wrote her own songs. The Girl in the Other Room was the result of her work, in 2004. This year, she was in a Lexus ad. Diana also sang “Dream a Little Dream of Me” with Hank Jones, a famous pianist. In 2003 she received an honorary doctorate from University of Victoria. In 2004 she was included in the Canada’s Walk of Fame.

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Would you like to find out what those-in-the-know have to say about Jazz Music? The information in the article below comes straight from well-informed experts with special knowledge about Jazz Music.

Bebop-The dance elements gradually faded away into a true art of real music by the musicians Miles Davis, Bud Powell, Clifford Brown, Thelonious Monk, Sonny Stitt, and Ray Brown who wanted to steer away from the commercial type music. These musicians sought to use examples of the Jazz musicians of the past such as Lester young, Coleman Hawkins, Earl Hines and Art Tatum to expand Jazz music to another level.

At this time, Jazz music moved away from the basic melodic element of the piece to produce a more abstract chordal sound of dissonant tones, and chromatic patterns. The dissonant tones in Jazz music can be heard when two tones are played simultaneously in a clashing manner that can either sound strange or terrible depending on how the tones of the chord fit together as melody notes from a particular key. Clashing sounds can also occur from the use of lowered fifths and raised fourths.

The chromatic sound of the music allows the musician to freely play each of the twelve tones of the instruments without restriction. Musicians were able to play substitute chords as well as altered chords that could change the key of the piece in a whim. The change in rhythm became more discreetly energetic in sound which is used predominantly in Jazz music today. For instance, the cymbal was hit in beat of a 1+a 2+ a 3 +a 4 +a while the snare and bass drum are suddenly hit without warning.

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Soul Jazz- From the late 1950′s, a style of music that derived from gospel and soul using the tenor saxophone, repetition with melodic groove hooks, and less intricate improvisation that occurred over the chordal harmonies. The music from the popular radio artist of the time known as Ramsey Lewis wrote “The In Crowd” a hit in 1965. Souls Jazz music signature was powerful bass lines and changing tempo of the song.

Modal- Bill Evans a pianist of this time made his mark in the making of new jazz music styles by using examples of major and minor medieval church modes which produced altered sounds between two notes. This music broke the rules by allowing the musicians to form new harmonies regardless of the key.

Jazz Fusion- Between the 1960′s and 1970′s, Jazz music infused with rock to the horror of Jazz lovers. The sound of Jazz fusion is complicated chordal harmonies, and oddly mixed meters with syncopating rhythms. The instruments used is similar to the instruments used in today’s bands such as the electronic guitar, electric bass guitar, electric piano and synthesizer. The musicians Miles Davis, Herbie Hancock, Chick Corea, Tony Williams and Frank Zappa and many others performed this music.

Smooth Jazz- From the 1970′s and 1980′s Jazz became a lighter pop style of fusion which begat muzak an electronic form of popular music on the radio. This music made popular by Kenny G., Najee and Grover Washington Jr. is played in many businesses to entertain customers.

That’s the latest from the Jazz Music authorities. Once you’re familiar with these ideas, you’ll be ready to move to the next level.

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